Scott R. Lazarus
Scott R. Lazarus
EDUCATION / BAR ADMISSION
Scott Lazarus is a founding partner of Lazarus & Harris LLP and has represented over 150 Broadway, West End, Australia and national touring productions including the Tony Award® winning productions of Harry Potter and the Cursed Child Parts One and Two (2018 Best Play), Hello, Dolly! (2017 Best Musical Revival), A View from the Bridge (2017 Best Play Revival), The Humans (2016 Best Play), A Gentleman’s Guide to Love and Murder (2014 Best Musical), All the Way (2014 Best Play), Kinky Boots (2013 Best Musical), Vanya and Sonia and Masha and Spike (2013 Best Play), Who’s Afraid of Virginia Woolf? (2013 Best Play Revival), Porgy and Bess (2012 Best Musical Revival), The Book of Mormon (2011 Best Musical), War Horse (2011 Best Play), The Normal Heart (2011 Best Play Revival), Red (2010 Best Play), Hair (2009 Best Musical Revival), August: Osage County (2008 Best Play), Boeing-Boeing (2008 Best Play Revival), Spring Awakening (2007 Best Musical), Journey’s End (2007 Best Play Revival), The History Boys (2006 Best Play), and Monty Python's Spamalot (2005 Best Musical).
An accomplished veteran in the practice of theatre law, Mr. Lazarus currently represents the Broadway, national touring, West End and Australia productions of The Book of Mormon, the Broadway and West End productions of Harry Potter and the Cursed Child Parts One and Two, the Broadway productions of Kinky Boots and The Ferryman and the West End production of All About Eve, and the upcoming Broadway productions of ain’t too proud The Life and Times of The Temptations, Hadestown and Frankie and Johnny in the Clair de Lune.
Selected past productions represented by Mr. Lazarus include the Broadway productions of Farinelli and the King with Mark Rylance, A Doll’s House Part 2 with Laurie Metcalf, I’ll Eat You Last with Bette Midler, The Heiress with Jessica Chastain, Glengarry Glen Ross with Al Pacino, One Man, Two Guvnors with James Corden, Green Day’s American Idiot, the West End and national touring productions of Hair, the national touring production of South Pacific, the Broadway and national touring productions of Frost/Nixon and Billy Joel’s and Twyla Tharp’s Movin’ Out,and the Broadway transfers of the National Theatre of Great Britain’s productions of The Seafarer, Coram Boy, The Pillowman, Democracy and Jumpers. His clients include numerous stage producers as well as actors, writers, directors and literary estates, including the heirs of Ernest Hemingway.